I checked off two items from my bucket list in the past thirty days: attending San Diego Comic-Con and visiting Scotland. Interestingly, the most common question I got asked about each of these wasn't the reason for my visit, nor was it something I did out there. Most folks who have a peripheral knowledge about Comic-Con ("civilians", as my friend the illustrious Satya calls them) asked who I was going as. Most folks who know one particular thing about Scotland asked which distillery I was visiting. While I wasn't there to cosplay or tour a distillery, both trips were amazing, and I'd love to go back.

My visit to Comic-Con was all thanks to my buddy Satya, who is well-known to pretty much all the dealers out there, as well as to quite a few of the major artists. There was a long line of people, rivaling the one for George Lucas, waiting to get face time with the illustrious one and I imagine offer him multi-million dollar deals for his prized comic art collection. I had to beat them off with a rolled up poster so that the man could negotiate a copy of the first page art for the comic book you've never heard of but would have watched the movie version. To be fair though, Satya says his collection is small fry compared to those of the passionate folks he hangs out with.
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Satya negotiating one of his multi-million dollar deals |
So anyway, since I had a dealer pass courtesy Satya's friends, I
was able to get in early Wednesday afternoon before the civilian
throng arrived. This turned out to be a huge deal, as I could
saunter along the entire Con (as we in the industry call it) and look at
all the unsullied booths without having to fight through hordes of
plant zombies. That said, we were asked to not loiter in front of bigger displays like the Star Wars area or the DC booth, and were specifically told not to buy anything as it would put the general public at a disadvantage. However, that changed from 6pm when the hall was open for preview, and the masses started trundling in.

Alright, about cosplays. Sure enough, they were on full display throughout the Con. People outside the venue without tickets like this guy in a Deadpool costume driving around the block every ten minutes, to Ninja Turtles lining up to enter the venue, to these ladies who were apparently a version of Red Sonja far removed from the Brigitte Nielsen avatar I knew from my childhood. And oh, those plant zombies showed up too.
You also had the usual bunch of religious folks protesting outside the venue, as comics are obviously bad for you and a sure shot way to get you into hell. This cosplay didn't make me smile as much as the others, strangely enough.
What was the best part of the Con? I'd like to think there were two - first, all the panels I attended were awesome, with some great discussions. I loved listening to these artists talk about their inspirations, their creative processes, what worked and didn't work for them. Their interactions with each other, responses to the audience questions, and just being a regular person geeking out at a convention, happy to be among like-minded souls and interacting with fans made them seem approachable and... human.
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Panel with Eddie Campbell, Craig Thompson, Lee Marrs, Thien Pham, etc |
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Panel with David Dastmalchian, Eric Powell, et al |
I looked up books written by authors I hadn't heard of before, and have been reading them after getting back. I loved Thien Pham's Family Style, and was floored by Harold Schechter & Eric Powell's Did You Hear What Eddie Gein Done? The movie versions of the Ed Gein story (Psycho, Texas Chainsaw..., etc) pale in comparison to his real life.
The second highlight was one of the main reasons I attended SDCC: getting to meet some of my favorite artists. I loved taking pictures with them, interacting with them, and getting their books autographed. Some of these were easy enough, but others required spending money AND standing in lines to get a chance at standing in lines to get their signature.
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Lunch with the incredibly talented Craig Thompson of Blankets fame |
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With Brian K Vaughan, he of Saga, Y: The Last Man, Paper Girls, Runaways & more |
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Daniel Clowes, creator of Ghost World, Monica, etc |
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With the awesome Emil Ferris, of My Favorite Thing Is Monsters |
I didn't tell my kids about this earlier as I wanted to surprise them with the actual signed comics. So getting Brian K Vaughan, Bryan Lee O'Malley, and Neil Druckmann's
signatures for Rachu, and the legendary Frank Miller for Karan was
absolutely the highlight of my Comic Con.
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Neil Druckman |
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After getting Frank Miller's signature |
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Scott Pilgrim's Precious Little Life! |
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Brian K Vaughan apparently knows me very well |
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With Tom King, writer of the Vision books and Supergirl: Woman of Tomorrow |
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Jeph Loeb signing (and doodling) Hush for me |
The doodle bit is interesting, as it's an additional little gesture from the artist towards the fan. As I understand it, the vanilla signature on a book is the baseline. Artists often prefer that you ask to make it out to someone, as then the chances of you trying to sell the book with the signature on eBay are low. The next best thing is to get an additional little doodle on the page, which adds pizzazz. You can see some of these in the pics above.
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The artist who drew my favorite Alan Moore comic, From Hell, Eddie Campbell |
I got back home with a suitcase full of books, a long list of comics to read, and a heart full of thanks to Satya and his friends, who were kind enough to accommodate a wide-eyed civilian in their midst for a few days at this mecca of geekdom.